In the second axis of the exhibition, the artist explores the cartographies of memory through the creation of "word-objects". Using textile waste, the works are embroidered with the typography developed by the artist himself. The proposal of this axis is educational, seeking to stimulate reflection on sustainable practices. Each word displayed in the work serves as an invitation to explore the repository of individual memories and sensations, inviting the public to create their own images based on the unique grammar of the exhibition.
Fashion emerges as a subtle and inevitable aspect in the artist's works. The entire creative process is artisanal and based on the principles of fashion: from the modeling of the letters to the types of seams, finishing and finishing, which are the same as those used in the production of clothing. It is important to emphasize that the choice of textile material in the creative process goes beyond aesthetics; it is a conscious choice.

The artist intends, through the recycling of these materials, to raise awareness about fashion data and the impacts that its industry generates on the environment. From the islands of waste and discards to the impacts of carbon dioxide in the atmosphere, waste in rivers and the impact on the earth. The "word-objects", therefore, when accessed, seek to link these resources, their impacts and materials, promoting a sensitive awareness so that we can inhabit the world in harmony and responsibility with nature. This approach aims not only to stimulate reflection, but also to encourage the adoption of more sustainable practices in the context of fashion and beyond.